Film & TV Lighting
From the very beginning we set our sights on designing gear that not only solved film and television industry problems, but also advanced the cause. In other words, gear that could do more and be better than what already existed.
That was back in 2004, and today nothing has changed.
We continue to pioneer new solutions for the industry and our rapid design and build capabilities, coupled with exacting quality standards, have brought us into contact with some of the most progressive companies in the content production world.
Designed and built one of the first large-scale high-power LED installations used in the film industry for the production of director George Miller’s Happy Feet with 60 fixtures providing 6kW of reliable LED light for motion capture.
Designed and built bespoke LED ring-lights for cinematographers on the lookout for cleverly designed lighting products that can handle life on busy and large sets which producing a quality lighting experience.
Designed custom LED lighting equipment for productions such as Gavin Hood/High Jackman’s “X-men Origins – Wolverine”.
Released the Doppio 2”x1” LED Panel. It delivered new vision of where LED lighting could be taken and what were the almost limitless possibility with this technology.
Product range expanded with the smaller, but still just as rugged, Mini 1” x 1” LED Panel in daylight, tungsten and bi-colour.
Released the Creamsource Sky - a 5 colour 1200W LED light system operating in a totally silent and fan free package.
Released the 3rd generation LED light engine to upgrade the Doppio and Mini fleet to the “+” specification with high CRI/TLCI taking advantage of the new advances in LED technologies
News & Updates